Sun, 28 August 2016
Wade Matthews is passionate about improv. He focuses on what he calls "free improvisation", which is dependent on having great listening skills as well as great playing chops. In this chat, Wade explores how he got to the point of being improv-focused, how he thinks about different types of performance (including his concept of 'sonic portraits', which I found fascinating) and even his definition of free improv.
Wade is also a trained musician who is now somewhat post-instrumental, focusing as much on processes and electronics as he does on the woodwinds where he started. This has also had an impact on both the music that he makes and his view on musical work, and we are lucky to have him share his ideas and experiences here.
I really enjoy talks where we can get in-depth on a subject and explore some of the edge areas, and I felt like this happened here. Wade is a deep thinker who is also an eloquent speaker, and the discussion buzzed by much faster than I realized. Nevertheless, we do learn a lot about Wade's ideas on music-making, and I hope to continue the discussion soon.
Sun, 21 August 2016
I really appreciate the opportunity to meet new people - especially when they are introduced by friends that I respect. Coralie Diatkine comes via Julien Bayle, who mentioned her in a conversation as "someone with a unique sound" - and also mentioned her as a up-and-coming Max'er. He pointed to her website and I was blown away.
The thing the was most interesting to me was that Coralie doesn't really hide anything. If she is experimenting with spacialization, you get to read about it on her site. Working on sound design using her sax? Also on the site. And even though she's left vocal work behind, she's also willing to share that as well. I love it when people share their whole story, and Coralie seemed willing to do that on her site.
She was also willing to do it on the podcast! In this chat, we range from her choice of instruments (and why she dropped voice) to the use of language and metaphor for compositional concept, and even spend some time examining the French educational system. I eat this stuff up, and I hope you are as fascinated as I am.
Once you listen to this, you will want to know more about Coralie. Her web world is at http://coraliediatkine.eu/, and her Soundcloud page is filled with goodies, available at https://soundcloud.com/coralie-diatkine.
Sun, 14 August 2016
One of the most interesting meetups I've ever attended was the Rocky Mountain Synth Meetup, led by Mark Mosher. Mark started this as an outgrowth of his own desire to meet people, but it has expanded into one of the most active synthesizer-based meetups in the world - and is now a must-visit for anyone that likes (as Mark states) "drinking with a synthesizer problem".
From its humble beginnings in the basement of a Louisville CO restaurant to the huge launch party for the Ableton Push 2 release, the meetup has gone through a number of changes - some of which would hamstring a lesser meetup. Venue changes, personality riffs, people moving in and out of the area; the RMSM has continued to expand, and is healthier than ever.
Mark has provided the following information for us to share:
The Rocky Mountain Synthesizer Meetup - founded in 2012 - is the home of 480+ Denver Front Range synth geeks who share their passion for synths, build their network, get inspired, get hands-on with gear, tell people about projects and find collaborators. It is synth technology agnostic and features broad variety of rotating presentation topics and experiences each meetup - most presentations given by members themselves. The after-meetup features a performance by a meetup member.
Referenced in Show
Many thanks to Mark for his openness about the meetup. I hope you'll consider doing one for your community!!!
Sun, 7 August 2016
Walking the tightrope - that's what show control is all about. Whether you are creating lighting scenes, working with live projection or live video gen, this isn't something that you can practice ahead of time. As a result, I find the work that show control people do to be both fascinating and completely unnerving.
Take the craziness of show control, add programming chops and the willingness to go anywhere in the world - and you have David Butler. David has been developing show control tools for himself in Max and Java; given his comfort with large-scale control systems, he's able to put together programming that is able to handle massive data streams.
I was really looking forward to a chat with David because he manages the balance between technical skills and artistic vision. He does this professionally, but he does it for fun, too - and that's something I can definitely relate with. He's also into sharing both his perspectives and his work, and is working on some code that he'll be providing for other interested parties.
This is a great look at a completely different side of the performing world, and also gives you a glimpse at the levels of detail and complexity required to handle large performance system. It's also a chance to hear from a guy that is totally comfortable with the tightrope walk that is show control management. You can find out more about David's work at his website: The Impersonal Stereo.